Heart Over Head

It seems the head reigns supreme these days. The long march of reason, and its offspring science, from the days of Socrates and Plato through the Renaissance and Enlightenment to the present day has put forth rational argument and empiricism as the pinnacle of methods in the search for truth. Man’s left hemisphere or reason not only guides our approach to understanding ourselves and the natural world, but can also generate an ideological system of rules and idealistic version of perfection that condemns parts of humanity that could be accepted as part of our imperfect glory and natural instincts. Indeed, our human, all to human disposition is denied by these moral systems, and like a harsh light, produce the deepest, darkest shadows, that eventually emerge in the horror of the return of the repressed.

 

In contrast to such moral dogma, our conduct could instead be governed by the human heart, with its capabilities for love, compassion and empathy. The soft light of tolerance produces the smallest shadow, and counteracts the labyrinth of mind produced when people condemn themselves for being merely human, and deny some of the fundamentals of human nature. Our desires and reward centres need to be gratified somehow, whether with the regular vices, or if denied, can emerge later in much more destructive forms.

 

For me the human heart, or ethics, always reigns supreme and trumps the arguments of the human head, or morality. I find this leads to a kinder and more accepting attitude to both myself and the others in my life.

 

Paul Kloschinsky

Another review of “Better Late Than Never”

Paul Kloschinsky has just released his newest album, Better Late Than Never, at the end of 2014. The stunning album blends complex elements of folk, indie and rock, creating a pleasant, and surprising 10-track album. Kloschinsky’s voice hovers over the tracks with a unique and steady hand. Kloschinsky currently resides in Delta, British Columbia, Canada, where he hones his songwriting skills. These skills are evident in Better Late Than Never, his fourth release. With several music accolades under his belt, he embraces his songwriting on these new tracks.

 

Opening up the record is the breathtaking piece, “Across the Sea.” Acoustic guitars are prominently strummed throughout the track, accompanied by an array of instruments that help bring the song to life. Kloschinsky’s voice is not overpowering, but it stands out and speaks volumes. The folk and Americana element is already noticeable within the track, which will carry through the record. “Better Late Than Never” is the title song from the album, which serves as a perfect representation of the overall feel of the collection. In the song, horns enter slightly that work in perfect unison with Kloschinsky’s vocals.

 

“When Dawn Breaks the Night” brings a very alt-country/indie-folk sound to the record reminiscent of an early Bright Eyes song. The addition of strings makes this piece an instant favorite. The vocals in the track are flawless, and the combination of instruments compliments each other nicely.

 

“Give Me a Sign,” brings a slightly different, more up-tempo feel to the album; bringing a true Rock n’ Roll sound into the record. “Pearl from Paradise” and “What Good is Love to Me,” usher a downbeat sound into the album. “Pearl from Paradise,” is filled with gorgeous piano work that will draw you in closer, listening to every melodic note that fills the space.

 

“The Soft Glow of Midnight,” brings the album back to life, with a slight undertone of 80’s elements. Synth keys are flowing throughout, giving the record an even more pleasurable and well-rounded musical experience. “Sundown Tonight,” is a breathtaking and heartbreaking piece on the record, with a beauty you will not be able to shake. The melody takes you away to a musical journey. “Knock on Wood,” fills the record with a strong and powerful string section that acts as a musical bed for Kloschinsky’s strong vocals. The piece proves to be gentle, and insightful in content. Closing out the record is “Electronic Paradise,” which is the perfect way to end the collection of songs. Clocking in at just over 5-minutes, the synth laced track combines a complex set of musical undertones to create a track that is compelling and danceworthy; adding something new to the album.

 

Paul Kloschinsky’s Better Late Than Never is a stunning collection of songs that will surely stand the test of time. Kloschinsky’s talent for songwriting and crafting together the perfect song goes above and beyond to impress in this record. This is one record that fans of folk-laced music should check out for 2015.

 

Paul Kloschinsky

Better Late Than Never

By Melissa Nastasi

5 out of 5 Stars